I Made a Book Trailer!

Today I discovered a magical little app called Adobe Spark.

I stayed there awhile, in the depths of Adobe Creative Cloud. At first I stayed on a whim, to learn, and then to play, and minutes turned to hours. At the end of it all, I came away with this:

Not bad for an amateur, hmmm?

I think book trailers are awesome, and let me explain why. Most of my followers who are also writers probably already know what a book trailer is… but for the folks who’d like that information, a book trailer is a simple way to bring your story (or even a mere snapshot of your story) to life, to have it jump off the page and delight the eyes of your audience through the use of a different medium.

Why make a book trailer, you ask? As a whole, in this Digital Age, we are more attracted to video and visual cues than ever before, as we are constantly bombarded by visual information whenever we hop on Google. As a marketer in this Digital Age, you cater to the needs of an increasingly visual audience; you gravitate toward bright and interesting photography and snappy video as effective means to market your product, because those media have higher consumption rates among audiences (compared to a page-long summary or written advertisement).

This concept very much applies to book marketing. Authors increasingly are relying on visual messaging to boost their work, and news of their work, to their readers. Many folks in all niches of the book community… authors, reviewers, publishers, etc. … have turned to vlogs (the video blog). It makes sense. If I, a reader, can click on links and see videos of my favorite authors talking about their upcoming projects, I get a sense of immediacy from seeing their faces and a greater connection to their words by hearing them spoken.

My Stormriders book trailer is really a teaser trailer, very much a snapshot. It’s a little rough (hey, I’m new at this!) but I’m excited to bring my heroine’s voice to you. My primary motivation for creating the trailer is because I haven’t yet given her voice a chance to be heard… she does not speak at all in the the first four chapters that are currently available to the public. Since Stormriders is quintessentially her story, I wanted to create something that hinted at the events to come, through her eyes.

Enjoy!

 

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Breakthroughs.

I’ve got some fantastic news from the world of Stormriders! Recently I completed a full chapter-by-chapter plot synopsis, to fill in any plot holes, etc. … and ended up with several new fully-developed characters AND a plot that works! 

Hooray!

Disclaimer: Please don’t worry… I headed into the writing process absolutely determined to make the plot work, and had a general idea of where I wanted my characters to go and why. However, “best-laid plans” etc. … whatever the expression is. It was a little thought, in the back of my mind, in that dark corner that all writers know about, where the doubt hides. The little thought nagging me every time I finished a chapter: “Are you CERTAIN you know where this is going?”

This was the first time I’d actually written everything down. And I mean EVERYTHING. Timelines for every single character. Travel times for distances that haven’t been used before (my folks use tall ships to get from point A to point B, crossing a huge ocean where the Midwest used to be). Motivations for why people end up where they do, and why they do the lovely or the terrible things they do. And friends, IT WORKS. It all works.

OH YEAH I ALMOST FORGOT THERE IS SOMETHING ELSE.

Conceptual cover art © Copyright 2017 by Jen Lynn Anderson. All rights reserved.

The plot worked so well for Stormriders that it morphed and evolved into this 3-book trilogy monster! Not my intention, but upon reaching the end of the synopsis I realized the fates of my MCs were left hanging. There is much more of their story to tell. And tell it, I shall!

This month is National Novel Writing Month’s “Camp NaNoWriMo” event (for those of you familiar with NaNo and recognize it in November, the founders host a spring event as well!) and I’m aiming for 2,000 words per day during the month of April. I want this story in your hands ASAP. I’m ready for it to be out there, and I can’t wait for you to read it! This chapter synopsis reaffirmed that fact.

I’m also working on a dialect manual (the Tiders speak in a creole dialect of Appalachian English, Scots English, Gaelic and pirate… oof!) because my heroine has to start speaking soon and I need to understand her if you’re going to be able to do the same. 😂 I’ll be including an annotated version of this in an appendix at the back of the book once we’re at the point of publication. I have a ton of rich material from my world-building exercises, so let me know if you’d be interested in learning more about Tider culture, and I can maybe make something happen!

For those of you who have generously donated to my Patreon: thank you so so much! Your first tangible reward, a short story set in the world of Stormriders, is currently in the editing process, and I hope to have that out to you by mid-May.

More updates to come!

If you’d like to check out my Patreon and donate to the Stormriders Publication Fund, click here.

 

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The Power and Authenticity of Fictional Languages

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Research! (Book cover courtesy of author Robert Hendrickson and illustrator/cover designer Cathy Rincon)

Creating a new dialect ain’t easy.

During my worldbuilding endeavors for my serial novel, Stormriders, I discovered that some of the people who lived in the World I Built spoke an interesting hodge-podge creole of Appalachian English and Pirate English vernacular. Interesting, but tricky. I’d never created a dialect before. Luckily, I have been able to research to my heart’s content because The Interwebs. And what I’m finding is fascinating!

I’ve learned that there are dictionaries, encyclopedias, and other reference materials out there for just about every language that exists or has ever existed on the planet. And many of those are free!

I’ve learned that Appalachian English remains the closest still-spoken dialect on earth to the language of Shakespeare (Hendrickson, 1997).

I’ve learned that Pirate English is a dialect that is actually spoken by more real-life people today that I could have imagined.

I’ve learned that creating a language, even a creole dialect of English language variations, is HARD. But as words fly out of my main character’s mouth and onto the pages of my story, it’s apparent how worthwhile the effort is.

Language brings authenticity to the world you’ve created.

World-building is one of the most enjoyable writing exercises for me. And why wouldn’t it be? Science fiction and fantasy authors the world over have created some of the most vibrant, beautiful worlds I’ve ever pictured inside my head via the words on their pages. And all of those worlds came replete with rich geographical, climatological, political, and cultural details.

I’m no J.R.R. Tolkien. Inventing a brand new language from scratch (as Tolkien did multiple times for The Hobbit and The Lord of the Rings) is daunting in a way I can’t fully voice. Perhaps Tolkien felt similarly as he began wandering through the World He Built. Perhaps not… he was a philologist, after all.

Thankfully, for the purposes of my story and the world I’ve built for Stormriders (which takes place in a post-apocalyptic former North America), I did not have to invent a new language from scratch. But for one group, the Shoalfolk of the Carolina Shoals (a string of low-lying islands and cays that formerly comprised the Appalachian highlands, before catastrophic flooding devastated the low-lying continental United States over millennia), it felt inappropriate to neglect to honor that rich culture that, to this current day, reflects the linguistic cadences and phrasing of Elizabethan English.

In order for readers to believe in your characters, you have to be able to answer questions about every aspect of the world in which your characters were born, grew up, and have embarked upon their journeys. Language is one of those critical aspects (and I would argue, perhaps one of the most important), which can shape a culture and bring authenticity to your characters themselves, as they move through the world you’ve tirelessly imagined.

And it’s a big, big world out there, indeed.

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A Story in Installments: Using Serialization to Publish a Novel

In late April, I was approached by the founder of Channillo, a new(ish) digital publishing platform that hosts work by authors from all backgrounds: established and new/upcoming, using traditional and/or indie publishing avenues.

At the time I was extremely unfamiliar with the serialized fiction format; releasing a story in online installments was a brand new concept for me. As it stood, I was not keen on attempting to release The Bearers in a serial format, as I had already started the novel and was not writing chapters chronologically. I WAS intrigued by the idea of attempting a serial release with the post-apocalyptic pirate story concept I had been developing. I uploaded the prologue for Stormriders to my Channillo series page in early May, where it will grow every month and hopefully gain subscribers. Ah yes, I forgot to mention the site is subscription-based, which I feel is a good thing, for reasons I’ll touch on below.

As I mentioned, I was intrigued to try writing a series in real-time, both as a way to get some work in front of a potential audience relatively quickly, and also to keep myself on a disciplined writing schedule… nothing beats a deadline for getting a draft done. So far, Channillo has been a wonderful way to accomplish both goals.

So how does online serial publishing work, you might ask?

The Channillo platform itself is an open book to the authors who are accepted as contributors. The application process allows you to pitch your series concept and nail down parameters (how often you’ll post new chapters, etc.) Follow this link for more info on how to participate as a contributing writer. Poetry, short story anthologies, essays, nonfiction book chapters, fiction book chapters… all are accepted genres. As a contributing writer, you also have the opportunity to subscribe to other contributing writers’ series… more on that in a second.

Once your series has been accepted, you are able to create a customized series page with description blurb, cover art, and link to your author profile. You can start publishing whenever you have content to publish. I’m opting for the start-from-scratch method, where I spend a month writing the next chapter, editing, and reviewing the plot arc for continuity… then I post. I would guess that some writers are publishing preexisting work; the caveat with this is, said work cannot be available for free elsewhere on the Interwebs (on a blog, on a free platform like Scriggler, etc.). Authors DO retain all rights to the work they choose to publish on Channillo.

Some folks may be wondering: why go the subscription-based route, when there are dozens of free digital publishing platforms out there?

The primary difference, in my mind, is writer compensation. Free platforms potentially have a wider reach, in terms of audience, but because they are free there is no compensation for contributing authors. What a subscription-based platform like Channillo does is offer a membership program with a pricing tier that offers subscribers (the online reading public) a certain number of series to which they can subscribe based on what they pay monthly. Authors are then compensated proportionally (based on the number of subscribers they have for their series) from the monthly subscription pool. While it certainly will take a specific, special type of reader willing to make monthly payments for access to only indie-published material, it doesn’t mean those readers aren’t out there.

I should note: EARNING ALL THE DOLLARS IS NOT MY PRIMARY MOTIVATION HERE. Nor is it for many of the contributing writers on Channillo, I would assume. A lot of the writers are subscribers themselves, as a way to network with other authors, which I believe has a lot of merit. Of course, building an audience while getting a little compensation for your time and effort spent marketing is not a bad thing.

And now, we write. And write. And write some more.

I am having a ball writing Stormriders in a serial format. It gives me the opportunity to to truly reinvest in my characters each month. While I have a general plot hammered out and did a monstrous amount of world-building and character development prior to starting, each month is a fresh opportunity to explore this world I have created, and to genuinely discover how my characters will interact and work through their story arcs within it. Every month will hold a surprise or two for me, right along with my readers, which is a unique phenomenon with this format.

As I’m sitting here, editing Chapter One to upload on Channillo this week, I have no idea how this story is going to end and couldn’t be more excited about it. The sheer giddy excitement is sparking inspiration. And the swiftly growing potential of the unknown is the tinder.

UPDATE 4/6/17. Please please PLEASE Google “first publication rights” before posting on any digital/serial self-publishing platform, especially if you think you may want to try the traditional publishing route with your book someday!!!

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